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The place where I will regularly post thoughts and comments on any aspect of music.
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(As you see, the blog is in DInglish - Dutch International English - but comments in Dutch, German, French, Spanish and Frisian are welcome.)

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And you might check my other blog, Evert Listens to Dylan, if you would be interested what listening to the complete recordings of Bob Dylan does with (or to, or for) me.

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Tuesday, May 23, 2017

On Participatory Presenting II

I like presenting research in front of groups of people. Whether it is a guest lecture at a university, a presentation at a conference, a talk for a local women's society, a class at a school - it is always nice to do.

Basically I work with two formats: either the 'reading of a paper' (so literally reading; a form I had to get used to but I like more and more because it allowes you to be very precise in your words and your phrasing) or the 'guided talk' where the guidance comes from either some speaking notes or a power point which guides you through your message - and leaves room for some extemporality.

But recently I realize that I am more and more attracted to forms of what I call 'participatory presenting'.  I wrote about one form of it before - see my blog on working with music workshop leader Hannah Conway - and now have another, maybe even more 'participatory' example I would like to share.

Monday, May 15, 2017

On Schizophonia

I went to see the gipsy. Or: I went to hear a Nobel prize winner sing. When I announced it on Facebook, one of my FB-friends asked me which one. I answered that I was not sure how recent Groningen-laureate Ben Feringa sings but that in this case I would go to listen to Bob Dylan.

The concert was great. Dylan sang a collection of his own songs, interspersed with songs from the American Songbook. Maybe he did it for Nobel purposes, to make clear why it is completely justified that he did receive the Nobel prize for his lyrics, rather than the writers of the American Songbook lyrics. The difference between the two is obvious and couldn't be greater. Day and night.

One of the other great things of Dylan's concert was that he is still, at 70+, able to infuriate people during a concert. A guy right behind me took pride in boo-ing every American Songbook song and every piano note Dylan hit. And honestly: I am not a fan of his American Songbook crooning, and neither do I think he is a great pianist. But for me, it is the fascinating play of foreground/background that counts.