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The place where I will regularly post thoughts and comments on any aspect of music.
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(As you see, the blog is in DInglish - Dutch International English - but comments in Dutch, German, French, Spanish and Frisian are welcome.)

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And you might check my other blog, Evert Listens to Dylan, if you would be interested what listening to the complete recordings of Bob Dylan does with (or to, or for) me.

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Sunday, February 15, 2015

Dylan

You may check out my new blog entry on Bob Dylan's third album on that other blog, Evert Listens To Dylan.

Saturday, February 7, 2015

The Sing-Alonger

Sometimes new insights come about because two experiences collide.

Experience 1.

I was reading an essay about André Hazes. André Hazes, for the non-Dutch amongst us, is - was - a phenomenon. He sang the 'levenslied', the Dutch schlager as it were, and became the larger-than-life representation of it. When he died, there was a burial ceremony in the Amsterdam Arena (you know, Ajax) which was televised and attracted six million viewers.

The essay is written by an anthropologist from the Meertens Institute for Dutch ethnology, Irene Stengs. I like the essay; at points it is too much sociology of culture and too little ethnography to my taste, but it makes an important distinction that I had not consciously thought about too much: that between singing culture and sing-along culture. Singing culture is about the way we sing songs. Sing-along culture is about the way we sing songs together with a singer. In a sense, sing-along culture unites what ethnomusicologist Thomas Turino would call presentational and participatory forms of singing. Singing is presentational when it is done by a singer for an audience. Singing is participatory when everybody joins in and there is no distinction between a singer and an audience, Sing-along means there is a distinction, but not between the singer and his audience but between the singer and the sing-alongers.